Contretemps (Con-truh-TAHN)
Jacklyn Dougherty and Dr. Joni Dougherty
Contretemps (KON-truh-TAHN)
The contretemps is a lively and rhythmically playful step in ballet that combines quick footwork, coordination, and musical precision. The term comes from the French words contre (against) and temps (time), referring to a movement that seems to play “against the beat.” This slight delay or syncopation gives the contretemps its distinctive buoyant quality and makes it a favorite in allegro combinations.
Traditionally, a contretemps is performed as a small traveling jump that shifts the dancer’s weight from one foot to the other. The movement often begins with a slight spring off one foot while the other foot extends, brushes, or points in a contrasting direction. As the dancer lands, the feet quickly change places, creating the impression of a jump that starts on one foot and finishes on the other. This quick exchange of feet is what gives the step its crisp, animated character.
There are many variations of contretemps, depending on the method or choreography. A common form is contretemps en avant, which travels forward with light, skimming jumps. The contretemps de côté moves sideways and is frequently used to connect jumps across the floor. In some traditions, the step includes a small coupé or brush of the working foot before or during the jump, adding complexity and texture to the movement. Despite these variations, the essential idea remains the same: a fast, rhythmic transfer of weight with a feeling of lift and suspension.
Technique is crucial for executing a clean and musical contretemps. The plié must be responsive and elastic, allowing the dancer to push off the floor quickly without stiffness. The feet should articulate clearly, with pointed toes and precise placement upon landing. Turnout is maintained throughout, and the legs work underneath a stable, lifted torso. Because the step is fast, it is easy to rush; however, control and clarity are more important than speed.
Musicality is at the heart of the contretemps. The step often falls slightly off the main beat, giving it a playful, syncopated feel. Dancers must listen closely to the music and allow the timing to guide the movement rather than forcing it. When done well, the contretemps appears light and effortless, as if the dancer is gently skipping across the stage.
Artistically, the contretemps adds sparkle and momentum to choreography. It is frequently used as a linking step between larger jumps or turns, helping dancers travel smoothly while maintaining energy and excitement. Although it may seem small, the contretemps demands precision, coordination, and musical awareness. Mastering this step enhances a dancer’s allegro technique and deepens their ability to interpret rhythm within classical ballet.








