how Fourth Russian arabesque
![Fourth Russian arabesque ballet with Jacklyn Dougherty The legs are in the same position as third Russian arabesque. Arms held at shoulder level. The arm on the side of the supporting leg is brought forward and the working leg arm taken back far enough to be seen behind the back. The body is half turned away from the audience. Arching of the back and the head turned toward the audience.](https://static.wixstatic.com/media/761138_e3d7e736b8444a94b6fbf640266615fa~mv2.png/v1/fill/w_512,h_800,al_c,q_90,enc_auto/761138_e3d7e736b8444a94b6fbf640266615fa~mv2.png)
Fourth Russian arabesque ballet with Jacklyn Dougherty
The legs are in the same position as third Russian arabesque. Arms held at shoulder level. The arm on the side of the supporting leg is brought forward and the working leg arm taken back far enough to be seen behind the back. The body is half turned away from the audience. Arching of the back and the head turned toward the audience.
how Fourth Russian arabesque